![]() ![]() In the Launch box’s Follow Actions panel, you can set all clips on a track to be followed by Any other. Only humanĭrag any groove onto a clip, set all of its parameters in the Groove Pool to 0, and slowly raise the Random percentage to randomly alter the timing, creating a more human performance. By raising the Quantize percentage, you can audition the amount applied. To place any groove on a clip you would like to quantise, in the Groove Pool set the Base to the value you’d like to quantise, and turn everything else to 0. When you press the key you mapped, one device activates as the other deactivates. Map a key on your QWERTY keyboard to the on/off switches of two different devices, then turn one device on and the other off. One in, one outįor instant A/B comparison and/or to add an extra creative dimension to your effects, you can create setups whereby activating one device deactivates another. This way, you can adjust the track’s level using its mixer fader without overriding its automation. ![]() Rather than automate a track’s volume fader, place an empty Audio Effect Rack on the track, click the Show/Hide Chain button (the middle button on left of the Rack) and automate the chain’s volume instead. ![]() Add a Dropbox folder and anything you add to it – whether from your phone or your computer, of course – will be waiting for you inside Live. Add a Dropbox folderĬlick Add Folder (at the bottom of the Places section) to add any folder on your system to Live’s Browser. Alternatively, right-click the wet delay clip, select Extract Groove(s) and drag the groove from the Groove Pool onto an empty clip slot on a MIDI track loaded with a percussion instrument. Slice the resulting clip up and rearrange it to create a weird percussion line. Place any combination of effects on the Wet chain and use the macro to mix them in.įor instant MIDI percussion, send the audio signal from a beat to a tempo-synced delay on a Return track, create a new Audio track, route the Return into the new track’s input, and record a clip. Map the Chain Selector Ruler to a macro and name it ‘Dry/Wet’. Pull the Dry chain’s white Fade Range bar all the way to the left, and the Wet’s all the way to the right. Stretch the Dry chain’s keyzone from 0 to 126 and the Wet chain’s keyzone from 1 to 127. Name the first chain ‘Dry’ and the second ‘Wet’. Make a blending chainĪdd a chain and open the Chain Selector. Using these controls you can create complex Instrument Racks that trigger a variety of sounds depending on what keys are played, how much velocity is applied, and where the Chain Select Ruler is. Set a key range for each chain via the Key button set a specific velocity range for each chain via the Velocity button and set a range along the Chain Select Ruler for each chain via the Chain button. Chains of loveĪn Instrument Rack can house up to 128 chains, each one hosting its own instrument with audio and MIDI effects. ![]() Now play your keyboard to a hear a randomly selected sample with every key press. In the A Destination, select Sample Selector, and raise the value to 100. Next, turn on LFO 2, choose the Sample and Hold waveform, set it to a high Frequency, and turn off Retrigger. First, drop any number of samples into Sampler, press the Sel button (Sample Select Editor), select all the samples, and right-click and choose Distribute Ranges Equally. You can make Sampler trigger a random sample with every note you play. ![]()
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